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by
Lee Blessing
The two rooms of the title are a windowless cubicle in Beirut where an American hostage is being held by Arab terrorists and a room in his home in the United States which his wife has stripped of furniture so that, at least symbolically, she can share his ordeal. In fact the same room serves for both and is also the locale for imaginary conversations between the hostage and his wife, plus the setting for the real talks which she has with a reporter and a State Department official. In the end there are no winners, only losers, and the sense of futility and despair that comes when people of good will realize that logic, compassion and fairness have become meaningless when dealing with those who would commit such barbarous acts so willingly.
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directed by
Martin Henrickson |
assistant director/stage manager
Linda Hawk |
set design
Martin Henrickson |
lighting design
John Hawk |
sound design
Uncle Harley
Martin Hendrickson |
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The Cast (in order of appearance):
| Lainie Wells |
Geneé Gorup |
| Walker Harris |
David Garcia |
| Ellen Van Oss |
Inia Jean Plumb |
| Michael Wells |
Uncle Harley |
The Production Crew
| lighting technician |
John Hawk |
| sound technician |
Joyce Hartung |
| stage crew |
Linda Hawk, Chuck DeHart |
| costumes |
the Cast |
| set construction |
Bill Plumb, Geneé Gorup,
Inia Jean Plumb, Charles Wilson,
Uncle Harley, Linda Hawk,
John Hawk, Martin Hendrickson |
| show photography |
Matthew Cole |
| program design |
Charles Wilson |
| publicity |
Chuck Giambra, Linda Hawk,
Sharon Sossman Carroll |
| ushers |
Rutherford High School
International Baccalaureate Students |
Click here to view pictures of this production.
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